What did you do with your Arts Council award(s)?

Having received multiple awards I have been delighted to work across research and develop phases of my work. I received a Project Award (2022), that enabled me to premiere my first full length work Man Down at VISUAL Carlow and Backstage Theatre Longford.

Through Dance Bursary Awards (2021, 2020) I worked on two projects.

The Galaxy Of Occupations (2020) – developing methods of creating new work for young audiences through the mentorship of Jon Beney (UK Mentor). Through Jon’s mentorship I got to jump into the mind of a child and explore ways of creating work that is exciting and suitable for young audiences between 7 and 11. It led me to receiving a production commission from Dublin City Council and a commission from Tipperary Dance to further develop the show and perform it in libraries, schools and outdoor spaces.

Hidden Figures (2021) – I was intrigued to research how to work with film as a medium in live performance. I wanted to explore the hidden strength of women by working with four incredible female performers and a film maker to see how we can meld live dance performance and film seamlessly on stage. We played around with ideas, it was a real mixed bag and trial and error and gave me a chance to develop new skills in other areas.

What has receiving a Bursary  award meant to you as an artist/for your career? 

It has given me the opportunity to propel my career and take the necessary leaps to getting work shown as a choreographer.

At the beginning of my choreographic career what I needed more than anything was time. I needed to explore my choreographic vocabulary and find my own voice as a maker. Through bursary awards and professional development awards the Arts Council support allowed me to do this and challenge myself to work with other artists and mentors, all of which wouldn’t have been possible without the awards received.

Now moving onto production awards, I have had an incredible opportunity to work with a large creative team; composer, set designer, costume designer, lighting designer, producer, just to name a few. Moving up through the Arts Council awards as a stepping stone or a ladder has meant I have been supported every step of the way and have moved through the phases of creating new work confidently.

How would you describe your creative process?

I would have to say it is very varied, but I mainly work through collaboration. With my creative team of composers, lighting and set designers we work together to find the perfect connection of the movement with each artform, one informs the other and allows for the other to thrive. I very much value the input and expertise of my creative team and feel by valuing that, the art is richer and more vibrant.

In the studio with my dancers, it is a whirlwind. We jump from choreographic tasks, to learning movement I have created, to using poetry, language, text and a lot of count work to make the movement more interesting and complex. The dancers are the life and soul of my work and so it is really important that the space is fun, open and welcoming. We strive to create a family environment and so when we create everyone feels comfortable to share and grow.

I love to challenge myself in the creative process with themes and creative ideas that start off as one simple thought and can then expand as the process continues.

What would you say is your biggest challenge as an artist?

I would have to say getting dance seen and understood by audiences is my biggest task. As an artist I am of course always expanding my own practice, but what is really important to me is that what I make is enjoyed and accessible to all audiences. That everyone can relate to something in the work, and it can be universally understood.

In a world where we rely so much on various art forms to take us out of work and into our imagination my aim is for dance to become a form of escapism for people, just like film, tv and literature are. I want to push the boundaries of movement as an artform and create work for audiences to enjoy and relate to.

There are also very specific difficulties when creating narrative work which is the genre I work in. It’s very important for me to have the audience understand the story and the narrative of what’s happening on stage and for me as a choreographer this is an enormous challenge because every choreographic decision is heavily weighted in making sure the outcome adds to the red thread of the story and directs the audience in the right way.

What is the best piece of advice you received as an emerging artist?

Don’t be afraid to ask.

I realised when starting to create my work that I knew what I wanted but wasn’t sure how to get there. I was afraid to ask for fear of looking like I didn’t know what I was doing or if it wasn’t the right person to ask. The best piece of advice someone gave me was to surround yourself with people you trust and whose opinion you value. Once you’ve done this then get asking them questions, ask them whatever comes to mind, however big and small. People love to help people and will be more than delighted to answer any questions they can.

What or who has influenced your practice the most? 

Having worked with Matthew Bourne, I would say himself and his work are my biggest influences right now. Working with Matthew I realised the value in narrative work and the connection audiences find in it. The company have a strong engagement strand which I am really focused on creating alongside my own work. I loved the theatricality, musicality and scale of the work he creates, and it has been a real source of inspiration for me in finding where I want to go as a choreographer.

What are you doing next?

I am delighted to be making a new work for young audiences next called ‘The Galaxy of Occupations’ as a part of a production commission from Dublin City Council and Tipperary Dance. I will continue to work with Ballet Ireland as their emerging choreographer and I will take up residence at Shawbrook this year to work on An Fear Bréige, a new work for family audiences. I will be apply for funding to tour for my full length work Man Down and facilitate a large-scale dance project titles Doorstep Dances with VISUAL Carlow.